Rabindranath’s Internationalism
DR. A. ARONSON, Ph. D.
(Viswabharati, Santiniketan)
The artist throughout the 19th century was a social
outcast; handicapped by the economic uncertainty of his profession and his
pathetic lack of social adjustment, he led a truly a-social existence, a
glorified escape from the conflicts of social and political evolution into an
unreal but delightfully satisfying dreamland of his own creation. The artist
today has to take sides if he does not want to get lost in the general turmoil
of conflicting ideologies, if he wants to keep his sensibility and conscience
intact; for the issues involved in the social and political struggles of the last forty years affect the writer
in an intensely personal way, one from which there is no escape. That is why
some of the most gifted English and French writers went to fight in Spain for a
republican democracy; that is why Rabindranath responded both in theory and
practice, and in the most consistent way possible, to the social and political life
of man. And he responded to it with the whole force of his personality, not as
something that lies outside the fanciful occupations of a poet, but as
something that concerned him and his art most vitally and directly. He was,
however, no politician: to judge him by the standards of a professional
politician, his views were appallingly ‘out-of-date’; but in terms of political
awareness he saw perhaps deeper into the chaos of political disintegration than
any other artist of this century. His political vision was indeed prophetic:
for while others fought over irrelevant issues, he put before the world one of
the most consistent and certainly one of the most forceful of political
programmes.
Tagore’s integration of the universe always started
with the ‘soul’, the inner spirit of man; no wonder, therefore, that his social
consciousness was based upon the belief that there is a spiritual unity among
men transcending the narrow frontiers of self-centered individualism and
nationalism. Political issues, of whatever kind they may be, can be solved only
with reference to, and in terms of, the ultimate unity of the spirit that pervades al1 men. Confronted by the destructive
ideologies and political aspirations of our age, we have to go back to the
first and primal ‘truth’ of our existence, the human soul “To me the mere
political necessity is unimportant; it is for the sake of our humanity, for the
full growth of our soul, what we must turn our minds towards the ideal of the
spiritual unity of man.” 1 It would, however, be wrong to assume
that Rabindranath, in emphasising the inner spirit of man, lost sight of the
creative significance of social and political conflicts. Conflicts there must
be, as there must be darkness before the creation of light; the ‘path of struggle
and travail’ leads upward towards final fulfillment, although human beings have
first to pass 'through cyclic darkness and doubt'. For life, and least of all
social life, is not a harmonious whole, a pre-established unity, and abstract
and conflictless entity. In both harmony and disharmony, war and peace, there
is ‘truth’: “....they seem to hurt each other, like the fingers and the
strings; but this very contradiction produces music. When only one
predominates, there is sterility of silence. Our problem is not only whether we
should have war or peace, but how to harmonise them perfectly.”2
The conflict between the individual in his
spiritual isolation and the community, in which he lives, produces social
consciousness and awareness of the most intense type. The individual is all the
time oppressed and besieged by invisible forces from outside, forces that
emanate from political bodies and institutions, preventing him from a free
expression of his own individual self. The individual, that is, the ‘complete
man’, is being continually sacrificed to some conventional morality and to that
hideous man-made demon which, Tagore calls the ‘nation’.
The implications of such an attitude can be
realised only if we understand what Rabindranath meant by ‘nation’. He was no,
anarchist; and yet, a nation, as he conceived it, was to him essentially an
administrative body for the purpose of satisfying the human lust for power and
wealth. But within the nation there are ‘the people’, composed of feeling and
thinking human beings, struggling for certainty and truth in the mediocrity of
their lives. They are deeply rooted in the soil that produced them; they are
culturally and spiritually, and even physically, part of that good earth on
which they happen to live. They have a ‘personality’ of their own which is
subject to the inner rhythm of birth, growth and decay. They live and create:
“The nature of the people depends for its manifestation upon its creative
personality. It has religion, arts, literature, traditions of social
responsibility and co-operation. Its wealth to maintain itself and power of
defence are secondary; they are not the ultimate ends for the people. But the
Nation manifests itself in its property. The people present life, the nation
materials.”3
Rabindranath, in
this quotation, substitutes a living reality (the people) for an
abstraction (the state). If we study carefully the intellectual tendencies of
recent years in
“Religion, is among many other things, a system of
education, by means of which human beings may train themselves, first, to make
desirable changes in their own personalities, and, at one remove, in society,
and, in the second place, to heighten consciousness and so establish more
adequate relations between themselves and the universe of which they are
parts.”6
This is not a coincidence. Both in sociology and
literature we find the new awareness that human relationships can be
established in only between individuals, or ‘the people’, as Rabindranath says,
not between Nation and Nation. Rabindranath always took for granted that there
is among human beings a genuine desire for such human relationships, not so
much from a sense of fear and for the sake of self-protection, as rather from
an inner and primal urge that must be fulfilled. The only obstacle to such an
internationalism (based as it is on the spiritual unity of man) is the nation.
For an internationalism that should be truly creative knows no frontiers either
spiritual or geographical. Rabindranath translates this ‘creative
internationalism’, with the Sanskrit word ‘dharma’, the principle “which holds
us firm together and leads us to our best welfare”. A civilisation which
represents not only a Nation or even several Nations, but ‘the people’
expresses this ‘dharma’ in the social and political life of man. A civilisation (and Rabindranath never conceived of a
civilisation but as international) is no mere organisation like the
The ‘power’ of a Nation should lie in the creative
strength of the people. Only if
all the individuals that constitute the people grow and mature “in the
atmosphere of a profound knowledge of their own country”, can they assimilate foreign
cultures and become part of a civilisation which transgresses their national
boundaries. Should ‘dharma’ become
the expression of both individual and collective perfection, then indeed “it is a moral duty for every race to
cultivate strength, so as to be able to help the world’s balance of power to
remain even”.8 Intellectual co-operation will become meaningful only after all the races of the world have established an inner equilibrium
between themselves, a creative interchange of both ideas and materials.
Rabindranath, more than anyone else, realised the opportunities that lie in store for
There are many instances in human history of great
philosophers and sages who felt within themselves the inner urge to communicate their
thoughts through the medium of education. The realisation of Rabindranath’s
political and social ideals had to start with the individual, the child. He had to take the growing human being
out of his narrow context of contemporary society and isolate him from all
political contagion. He furthermore had to instill into him an awareness of
social and political conflicts by letting him live his own life in utter
individual isolation and yet within the framework of a community in which, the
‘dharma’, the unity of spiritual life, was continually emphasised. His social
consciousness had to be sharpened by coming in contact with the strength of
foreign cultures, and yet his personal self should never be chained down to
narrow party politics and discipline. Santiniketan, in this sense, was never
meant to be an escape from politics; it rather represents Rabindranath’s own
political courage of conviction, and his unshakable belief that, above and
beyond the nation, there are human relationships that will create a new social
outlook, a new creative urge of the people, a new ‘dharma’.
–Reprinted from Triveni,
January-March, 1942
1 Tagore East and
West, 1935, p.51.
2 Letters to a Friend,
1928, p. 66.
3 “International
Relations,” A lecture delivered in
4 Aldous Huxley: Ends
and Means, 1937, p. 255.
5 Aldous Huxley: Ends
and Means, 1937, p. 58.
6 Ibid., p. 225.
7 “Civilisation and
Progress,” in Talks in
8 Letters to a Friend,
p. 62.
9 Ibid., p. 100.