Master E. K.: A Phenomenon
Dr. PREMA NANDAKUMAR
It was with profound dismay that one received
the news of the passing away of Dr. Ekkirala Krishnamacharya on 17th March. Of course, for the thousands
of his admirers and followers, the word “death” could not be associated with
one who was not yet sixty and one who was profoundly alive and active in
several disciplines: Yoga, Vedic studies, Astronomy, Homoeopathy, Creative
writing, Palmistry and exegetical labours were but a
few of the Master’s many-splendoured genius. Indeed,
there is no doubt that he would continue to guide them whenever the need
arises.
Dr. Ekkirala Krishnamacharya was born on 11th August, 1926 in Bapatla. Significantly it was the 95th (Rqssian
Calendar) birthday of Madame H. P. Blavatsky. His
father, Dr. Anantacharya, was a noted Vedic scholar,
and hence the Master received early initiation in our traditional lore. On the
academic side, he received the M. A., and Ph. D.
degrees of the
The main thrust of Dr. Ekkirala’s
message was, of course, the unity of mankind, a unity that beyonds
space and time. His aim was to link the modern man purposefully with the
Masters of Ancient Wisdom so that his genius could blossom fully. No man is a
zero and even as each individual strives to become perfect in his chosen
profession with the help of the Masters, he would be contributing to the upliftment and unification of mankind.
There was no miraculism
in this theory of the Masters which Dr. Bkkirala had
derived from Madame Blavatsky’s significant contribution: The Secret Doctrine. (In
his room at Radhamadhavam,
“The Masters have clearly indicated at every
step, that unless the emotional nature is completely filtered off and until the
pure intelligence is distilled out of the emotional nature, we cannot dream of
meeting any Master. This should not be a point of discouragement, but it should
be a stimulation point for us to purify ourselves.”
The method of
“purifying ourselves” in the light of tradition must be based on sturdy common-sense. Dr. Ekkirala
went to the heart of the matter when dealing with the traditions established by
The caste-system, again, was originally
conceived as so many rights, duties and privileges for the welfare of the
society. The functions may differ but there was no distinction of higher and
lower among the orders. The four orders were to live and contribute to their
best in a spirit of Dharma. Universal well-being was the ultimate aim.
Dr. Ekkirala felt
that “small is beautiful” and also purposeful. He called for a village
reconstruction programme and initiated work in the Srikakulam district to revive the Arsha
Dharma. He believed that words unsupported by practice have no vital power. A
true Karma Yogi, he directed the World Teacher Trust to take up several
important activities. These activities include the running of homeo clinics, classes and symposia on Veda-vidya and traditional literature, fullmoon
meditations, Balabhanu Vidyalayams,
a residential school at
But Dr. Ekkirala
contained many worlds. Tirelessly moving through the villages of
“Even absolutely the book is noteworthy; but
when one considers the youth of the poet, it must be regarded as a work of
remarkable merit and of yet more remarkable promise for the future...The style
is engagingly classic. It is a matter of gratification that he has not become a
victim of slovenly modernisms in language or in thought. He has the gift of
similes and metaphors, and of pathetic fallacy (Utpreksha)
with occasional recourse to Slesha.”
Kavisamraat Visvanadha Satyanarayana in
his foreword to the volume has unqualified praise for this “young (Chinnavadu, Pillavadu)
Krishnamacharya” whom he described as the worthy son
of a great father,
His Goda Vaibhavam is a Kavya on the
life-story of Andal. Dr. Ekkirala’s
life-long admiration for the Krishna-bhakti in Potana’s classic as well as in Krishnadeva
Raya’s Amukta Malyada resulted in this imaginative recreation of Goda Devi’s love for
In the Divya
Prabandham of the Alwars,
Goda Devi’s Madhura bhakti has
a special place, and her Tiruppavai is
a unique document. With the thirty verses of Tiruppavai
in mind, Dr. Ekkirala detailed the spiritual
experiences of Goda Devi.
He introduced quite a few unconventional changes in the story. Thus the
reclining form of Vatapatrasayi at Srivilliputtur is transformed into the Flute-Player image
which plays hide-and-seek with the young Goda. We
watch the idol’s eyes come alive and Venugopala comes
out to steal from her tresses a marigold blossom. Titles of the cantos like Sanchalanamu (movement), Mugdhata
(innocence) and Upalambanamu (irony) signify the
progress of an individual soul through the mystic states of aspiration, vision,
self-doubt, pining, the dark night of the soul, despair and illumination. The
touch of the Supreme makes Goda Devi’s
devotional heart explode into a million ecstasies and she can have no more
peace till she finds her identity with God. Dr. Ekkirala
lavishes a shower of similes with a prodigal hand when describing the eternal
wedding of Lord Ranganatha and Goda
Devi. Anandamaya consciousness envelopes everybody on the occasion. The Lord
is the King of Actors (Ranga Raja); the stage is Srirangam; the Mover the Lakshmi;
the devotees don the dress of Goda Devi in this drama of divine love. We are assured by the
Lord:
“Ranga naayika godayai rahi vahimpa
Ranga mangala moorthiyai naama dalirpa
Ranga varnamu neelayai raanamincha
Ranga moorthiga ne nundu rangamandu.”
Dr. Ekkirala also
authored several books of prose. There were the puranic
novels Puranapurushudu, Mandrajalamu
and Purushamedhamu and the puranic playlets Subhadra and Aswaddhama.
His commentary on Potana’s Bhagavatam
known as Rahasya Prakasamu
is justly famous. It is sad that the eminent scholar was not given time to
bring this project to a triumphant conclusion. Detailed explanations of each
situation and character in the light of the Vedic tradition as well as the
“Thy right is to work only; but never to the
fruits thereof. Be thou not the producer of the fruits of (thy) actions;
neither let thy attachment be towards inaction.”